"iage
"source=
"er
"css=
"icture
"grou-id=
"2
"igsrc=
"{{iage_doa}}{
"iage_tye
":1,
"itye
":
"iage
jeg
",
"source
":
"er
",
"web_uri
":
"novel-ic-r
22b64333925a05c79e27d44ae4fa80df
",
"width
":1143,
"height
":761}
"alt=
"
"
css=
"ictureDesc
"grou-id=
"2
"这盒子可好看了，我记得有打开的照片，可惜找不到了
div多宝盒最大的魅力在于巧妙的机关设计。装饰于肩部的四处鎏金祥云钮暗藏玄机，将其中两处拔出，即可将宝盒从侧面打开，露出镌刻于莲台上的万字纹样。此承盒运用乾隆时期达至巅峰的掐丝珐琅技艺制作而成，形制轻巧大方，纹饰精密细致，内部暗藏机关，奇巧成趣，应是当年清廷御用之物，极富艺术与人文的价值。
没想到唐丽娜能看中这玩意，那自已就不用担心了，掐丝珐琅彩不用自已出手抬价，蔡坤也不会轻易拿下来，果然跟陈阳猜测的一样，最后蔡坤居然用了四十多万才将这物件拍下来。
陈阳看了一眼笔记本，随后打了一个响指，“行了，最后一件明宣德青花双凤穿莲纹盘他没钱拍了！”
“接下来是我们今天最后一件拍品，”主持人向旁边一指，“这是一件明宣德青花双凤穿莲纹盘！”
撇口，浅弧壁，矮圈足，盘心内凹外凸。内口沿下画卷草纹一周，盘心及外壁各画双凤穿飞于转枝莲花中，内外加饰青线八道，内壁白釉下印饰双龙纹，印纹较浅，不易辨识。
divdata-faye=
"iage
"source=
"er
"css=
"icture
"grou-id=
"3
"igsrc=
"{{iage_doa}}{
"iage_tye
":1,
"itye
":
"iage
jeg
",
"source
":
"er
",
"web_uri
":
"novel-ic-r
2c7521a3a7bcac7f1dea9cb433bbf43e
",
"width
":454,
"height
":454}
"alt=
"
"
css=
"ictureDesc
"grou-id=
"3
"明宣德青花双凤穿莲纹盘（这就是台北博物馆里的）
div底部青花书「大明宣德年製」二行六字楷款，外加双圈。宣德青花凤凰、双凤、龙凤纹在图案的搭配上，极富巧思，同样图案，宣德官窑生动灵活的表现为其他时代之所不及。如本件盘心双凤，看似平行，然方向一上一下，头部一左一右，呈双凤追逐呼应状，使原本图案化的画面，现出生机。
divdata-faye=
"iage
"source=
"er
"css=
"icture
"grou-id=
"4
"igsrc=
"{{iage_doa}}{
"iage_tye
":1,
"itye
":
"iage
jeg
",
"source
":
"er
",
"web_uri
":
"novel-ic-r
3348a7b500fd0c478ed61aac4d592948
",
"width
":472,
"height
":471}
"alt=
"
"
css=
"ictureDesc
"grou-id=
"4
"底部
div“这件拍品，青花浓艳鲜明，白釉微泛青，胎骨略厚，圈足露胎，